Sunday, 3 June 2012
Tuesday, 22 May 2012
This is picture of king ov hell
Thursday, 17 May 2012
Taake outrage the arabs
metallers TAAKE have sparked outrage
after being nomAccording to the Arab television network Al Arabiya, Norwegian blackinated for a prestigious Norwegian music award despite having
written lyrics that are allegedly anti-Islamic.
TAAKE's "Noregs Vaapen" album, along with the latest releases from INSENSE, SHINING, VREID and ÅRABROT, has been nominated in the "Metal" category at the 40th annual Spellemann awards (the Norwegian equivalent to the Grammy Awards). The largest and oldest Norwegian music awards show will be held Saturday, January 14 at Folketeateret in Oslo, Norway and will be broadcast live on the Norwegian channel NRK1.
TAAKE's critics argue that the lyrics in the band's song "Orkan" (Hurricane) are xenophobic as they include the phrase "To hell with Muhammad and the Mohammedans" and their "unforgivable customs."
However, Hoest, TAAKE's front man, has refuted these claims and said that their sole intention was to criticize religion. "Our view, in the name of freedom of expression, is that it is shameful to adhere to Christianity or Islam," he said.
Marte Thorsby, chairman of the prize committee's board, denied any allegations that the judges had not properly listened to the album before its nomination. "We enjoy full freedom of expression in Norway and a Spellemann jury is not going to censor content in any way," she told the Aftenposten newspaper.
Hoest previously found himself at the center of controversy in March 2007 after he appeared on stage in Essen, Germany with a swastika symbol drawn on his chest. This led to the cancellation of the band’s European tour and outrage among many heavy metal fans across Germany.
Hoest responded to the controversy by saying, "We truly apologize to all of our collaborators who might get [into] problems because of the Essen swastika scandal, except for the Untermensch (subhuman) owner of that club; you can go suck a Muslim."
TAAKE's most recent statement takes a slightly less offensive tone: "TAAKE has never been a political band, and we do not encourage either violence or racism."
TAAKE's "Noregs Vaapen" album, along with the latest releases from INSENSE, SHINING, VREID and ÅRABROT, has been nominated in the "Metal" category at the 40th annual Spellemann awards (the Norwegian equivalent to the Grammy Awards). The largest and oldest Norwegian music awards show will be held Saturday, January 14 at Folketeateret in Oslo, Norway and will be broadcast live on the Norwegian channel NRK1.
TAAKE's critics argue that the lyrics in the band's song "Orkan" (Hurricane) are xenophobic as they include the phrase "To hell with Muhammad and the Mohammedans" and their "unforgivable customs."
However, Hoest, TAAKE's front man, has refuted these claims and said that their sole intention was to criticize religion. "Our view, in the name of freedom of expression, is that it is shameful to adhere to Christianity or Islam," he said.
Marte Thorsby, chairman of the prize committee's board, denied any allegations that the judges had not properly listened to the album before its nomination. "We enjoy full freedom of expression in Norway and a Spellemann jury is not going to censor content in any way," she told the Aftenposten newspaper.
Hoest previously found himself at the center of controversy in March 2007 after he appeared on stage in Essen, Germany with a swastika symbol drawn on his chest. This led to the cancellation of the band’s European tour and outrage among many heavy metal fans across Germany.
Hoest responded to the controversy by saying, "We truly apologize to all of our collaborators who might get [into] problems because of the Essen swastika scandal, except for the Untermensch (subhuman) owner of that club; you can go suck a Muslim."
TAAKE's most recent statement takes a slightly less offensive tone: "TAAKE has never been a political band, and we do not encourage either violence or racism."
Monday, 23 April 2012
Diplomats trained in Black Metal
The Norwegian foreign ministry has begun training aspiring diplomats in “TNBM – True Norwegian Black Metal” – after foreign service missions reported a rise in enquiries about the musical genre from around the world. Indeed, the popularity and scale of the black metal phenomenon were demonstrated recently as one of the style’s foremost proponents, Dimmu Borgir, took the stage in Oslo with an orchestra and choir in a collaboration that has gained widespread media attention.
Shagrath (pictured above) and his band, Dimmu Borgir, are one of the most commercially successful Norwegian black metal bands. Norwegian black metal is now so famous around the world that Norwegian diplomats require training in its history and style. PHOTO: Wikipedia Commons
Black metal “is clearly a part of this,” Sommerset added.
‘Global awakening’
Author Håvard Rem, the author of a leading book on TNBM called Innfødte skrik (“Native calls”), described the phenomenon to Dagens Næringsliv as “a global awakening that gets the children of the ’68ers to search for their roots from pre-colonial and pre-Christian times.”
Rem suggests that “young people all over the world identify with this search,” and explained that where young Norwegian boys might find “Norse religion and Odin” in their cultural roots, “in Asia, Vedic metal has arisen with TNBM as its inspiration.” Rem supports efforts to train budding diplomats in the subtleties of black metal, stating that “for people under 40, it is this that they connect to Norway” and that “even if one does not like the music, it quickly becomes a topic for discussion.”
Rem’s own lectures to the foreign ministry trainees also include information about a dark period in black metal history during the 1990s, when a number of murders, acts of violence and incidents of church-burning occurred that put the movement under the spotlight. “You have to realize that this is the history, but it was 20 years ago and, today, Norwegian bands are acceptable,” Rem told Dagens Næringsliv. He stressed that the past problems of Norwegian black metal were not necessarily relevant to selling the genre today, stating that “one can talk about Norwegian salmon without talking about salmon lice, and Ibsen was seen as destructive in his day.”
Aspiring foreign policy professionals themselves are reportedly keen on the move. Silje Bryne, who will work in the Norwegian mission in Paris next year, told Dagens Næringsliv that she feels she “will have a very big use for this” in the future. “I see the value in not just talking about Ibsen and fjords when one talks about Norway, but also about the export product that is black metal.” Bryne added that having “such a strong brand that means that we stand out among the Nordic countries is worth its weight in gold, it’s black gold.”
‘Goosebumps all over’
Meanwhile, in Oslo, leading black metal band Dimmu Borgir has received much attention for its most recent concert in Oslo, for which the band took the stage with Norwegian Broadcasting’s Kringkastingsorkestret (the Norwegian Radio Orchestra) and Schola Cantorum, a chamber choir associated with the Department of Musicology at the University of Oslo. In total, 96 musicians graced the stage at Oslo Spektrum and gave the 3,500 audience members an enhanced experience of the symphonic black metal sound, with Dimmu Borgir playing a number of songs from classic albums such as Death Cult Armageddon and Puritanical Euphoric Misanthropia.
Many commentators were impressed by the spectacle but noted that the different sounds often cancelled one another out. Nonetheless, newspaper Aftenposten commented that “when it works, you get goosebump.
Tuesday, 17 April 2012
Tuesday, 27 March 2012
Black metal legend may become emblem of Norwegian airline
Mayhem's Euronymous, who was murdered in 1993, leads poll to find new tailfin image for Norwegian
Norwegian black metal is more closely associated with murder and burning churches than with low-cost air travel, but that might be about to change. The late Øystein Aarseth, aka Euronymous – the guitarist of Mayhem, who was murdered by his fellow black metaller Varg Vikernes in August 1993 – may soon be the image painted on the tailfins of Norwegian jets.
The proposal is part of a contest by Norwegian, a low-cost airline that flies Boeing 737s across Scandinavia and into the UK. To celebrate its 10th anniversary, the carrier is asking passengers to vote on a new set of heroes for their aircraft's tailfins. There are four separate sweepstakes, for planes in Oslo, Bergen, Trondheim and Stavanger, and the nominees include everyone from beauty queen Julie Ege to footballer Knut Torbjørn Eggen. Visitors to the website can even nominate their own "tail heroes".
In Oslo, Aarseth is winning. After being put forward by a local nominating committee, the Mayhem founder has collected the highest share of votes, leading over Trond André Bolle, a soldier who died in 2010, and the Lutheran reformist Hans Nielsen Hauge. Metal fans have rallied behind him, acting on a rare chance to get the musician's silhouette on a multi-million pound flying machine.
Despite Mayhem's massive influence on Norwegian black metal, Aarseth's grisly hi-jinks are at least as well known as his music. Aarseth founded the band in 1984, when he was just 16, and later assumed the pseudonym Euronymous. But when Mayhem's frontman, Per "Dead" Ohlin, shot himself in 1991, the guitarist didn't immediately call the police; he first went and bought a camera, according to legend, snapping photos of the bloody scene and saving pieces of bone to make jewellery. Aarseth was killed two years later, by Burzum's Varg Vikernes, who claimed Aarseth had planned to torture him to death.
Norwegian's tailfin contest closes on 28 March.
Norwegian black metal is more closely associated with murder and burning churches than with low-cost air travel, but that might be about to change. The late Øystein Aarseth, aka Euronymous – the guitarist of Mayhem, who was murdered by his fellow black metaller Varg Vikernes in August 1993 – may soon be the image painted on the tailfins of Norwegian jets.
The proposal is part of a contest by Norwegian, a low-cost airline that flies Boeing 737s across Scandinavia and into the UK. To celebrate its 10th anniversary, the carrier is asking passengers to vote on a new set of heroes for their aircraft's tailfins. There are four separate sweepstakes, for planes in Oslo, Bergen, Trondheim and Stavanger, and the nominees include everyone from beauty queen Julie Ege to footballer Knut Torbjørn Eggen. Visitors to the website can even nominate their own "tail heroes".
In Oslo, Aarseth is winning. After being put forward by a local nominating committee, the Mayhem founder has collected the highest share of votes, leading over Trond André Bolle, a soldier who died in 2010, and the Lutheran reformist Hans Nielsen Hauge. Metal fans have rallied behind him, acting on a rare chance to get the musician's silhouette on a multi-million pound flying machine.
Despite Mayhem's massive influence on Norwegian black metal, Aarseth's grisly hi-jinks are at least as well known as his music. Aarseth founded the band in 1984, when he was just 16, and later assumed the pseudonym Euronymous. But when Mayhem's frontman, Per "Dead" Ohlin, shot himself in 1991, the guitarist didn't immediately call the police; he first went and bought a camera, according to legend, snapping photos of the bloody scene and saving pieces of bone to make jewellery. Aarseth was killed two years later, by Burzum's Varg Vikernes, who claimed Aarseth had planned to torture him to death.
Norwegian's tailfin contest closes on 28 March.
Wednesday, 21 March 2012
Top Ten Norwegian Black Metal Bands
Black metal, for those of you that may be unfamiliar, is an extreme subgenre of heavy metal characterized by its unconventional song structure, raw recording, blast beat drumming, and tremolo picking. Since its development in the 1980’s the genre has come to evolve into a style all it’s own, home to a vast number of subgenres, sub-subgenres, and fusion genres.
The foundation for black metal is most often, and appropriately, attributed to a few thrash bands in the 1980’s. Namely Venom, Bathory, Hellhammer, Root, and Celtic Frost, who, even today, stand as the genres pioneers and are referred to as the “first wave”. In the early 1990’s a “second wave” of black metal acts, inspired by the aforementioned and spearheaded by a handful of Norwegian bands, arose and have since stayed in prominence.
The following are 10 of the most notable and all around best of these trailblazers. Enjoy
10) Carpathian Forest
Formed in 1990 by Nattefrost and John Nordavind, Carpathian Forest may not be the most well known act on this list but I’m sure many of you will argue they deserve a higher spot. Maybe. Maybe not.
Although it wasn’t until 1998 that they finally released a proper full-length, the band, which for a time consisted of only the two founding members, has been kicking around in the Norwegian black metal scene since their first demo, Bloodlust and Perversion, in 1992. Since that time the band has released five full-lengths, the latest of which was released in ‘06, a hand full of other recordings, and, despite remaining near and dear to the underground and influencing a host of new black metal musicians (some of which I fear have no idea), traverse on in relative obscurity.
9) Enslaved
Enslaved was formed from the ashes of a Norwegian death metal band called Phobia in June of 1991 by Ivar Bjørnson and Grutle Kjellson when they were just 13 and 17 years old respectively.
Although Enslaved began as an archetypical Norwegian black metal band, by their third album, 1997’s Eld, the band began to show signs of adopting a more progressive metal sound and even sought to ditch the “black metal” label. The band’s most notable change came in the form of their 2000 full-length Mardraum- Beyond the Within, which showcased the band's experimentation more with sounds influenced by progressive rock than black metal. Despite this, and the band’s increasingly progressive direction since then, their early work will forever remain an influence on the past and modern black metal scenes.
Enslaved released their eleventh album, Axioma Ethica Odini, last year through Nuclear Blast Records. Ivar Bjørnson and Grutle Kjellson are the only original members left in the band.
8) Gorgoroth
The infamous Gorgoroth, named after the dead plateau of evil and darkness in the land of Mordor (from J.R.R. Tolkien’s Lord of the Rings) was formed in 1992 by guitarist Infernus after “making a pact with the devil”. Since then the band has stayed in the public’s eye as one of Norway’s most notorious and hated musical groups. This, in part, because of the nefarious acts of Gogoroth’s vocalist from 1998-2007, Gaahl, who’s various exploits you can read about elsewhere.
Since their formation in ‘92, Gorgoroth has released eight studio albums, four live albums, and a handful of splits, demos, compilations, and promos. It was announced last year that the band is putting the finishing touches on a re-recording of their 1997 release Under the Sign of Hell, which should be released in August of this year (2011).
7) Thorns
I’m sure most of you reading this already know the big names like Burzum, Darthrone, and Mayhem, all off which will most definitely make an appearance on this list, but how many of you are familiar with Thorns?
Formed in 1989, Thorns released two highly influential demos, Grymyrk and Trøndertun in ‘91 and ‘92 respectively before guitarist/keyboardist Snorre Ruch was sentenced to eight years in prison for being an accomplice to Varg Vikernes in the highly publicized murder of Mayhem’s Euronymous (Øystein Aarseth).
After his imprisonment, Thorns reappeared in a split with Emperor in 1999 then released their only studio album to date, the self-titled Thorns, in 2001. Since then, although the band has only appeared on one compilation (2007’s Stigma Diabolicum), they maintain they are still active and a new record is in the works.
6) Satyricon
However you feel about Satyricon now, their importance and influence on the early black metal scene is not to be debated.
Best known now for their polarizing foray into “radio black metal”, Satyricon was formed way back in 1990 and released their first full-length, Dark Medieval Times, in ‘93. Since then the band has gone on to record six more albums, release five music videos, headline festivals, appear on the radio, and win numerous awards both in Norway and abroad. Satyricon has, either presently or in the past, featured members from bands such as Darkthrone, Thorns, Gorgoroth, Gehenna, 1349, Ulver, Dimmu Borgir, and too many more to list here.
The band’s latest album, The Age of Nero, was released in 2008 on Roadrunner Records and peaked at number 5 on the Norwegian Billboard chart. Not surprisingly, this success and pandering to the mainstream has caused quite the divide among their fans, but the charm and influence of their first few albums remains, securing them a spot on this list.
5) Emperor
Emperor, mighty Emperor.
Emperor has always been a cut above the rest of the early pioneers of black metal based on sheer musicianship. Their first two albums, In the Nightside Eclipse and Anthems to the Welkin at Dusk, play like high-art with all of the sophistication and none of the pretension. Emperor may not have invented (or maybe they did) the blending of classical symphonic elements into black metal, but you’d be hard-pressed to find a band that’s done it better.
Formed in 1991, Emperor disbanded in 2001 after just five full-length albums, reformed again in 2006 and ‘7 briefly for a few festival dates but has since dissolved again. Although many of the band’s members are involved in other projects, Emperor is currently (2011) the only band on this list no longer active.
4) Burzum
The exploits of Burzum main-man/only-man Varg Vikernes (aka "Count Grishnackh") are well documented and available for all to see in a myriad of different recourses in print, online, though film, etc., so I won’t get much into here.
Formed in 1991 in Bergen, Burzum quickly rose to prominence in the Norwegian black metal scene and released a total of four albums from 1992-’93. In 1994 he was convicted of murdering Mayhem (who you’ll meet later on this list) guitarist Øystein "Euronymous" Aarseth as well as arson. From prison Vikernes released two albums, both of which can be described as dark ambient or neofolk, and were recorded entirely on synthesized instruments.
In 2009, Vikernes was released from prison and has since released two albums, Belus and Fallen.
3) Immortal
Arguably my favorite band on this list, Immortal was formed in 1990 after Abbath and Demonaz Doom Occulta’s previous band, Amputation, failed to take off. From 1992-’97 Immortal released four full-length albums of a traditional black metal style, then in ‘99 with their fifth full-length, At The Heart of Winter, they began experimenting with mixing traditional black metal and old-school German thrash. The resulting sound, melodic black metal, along with the band’s interesting lyrical mythos centering on the fictional realm of Blashyrkh, has solidified the band’s status as pioneers and innovators.
In 2003 Immortal decided to split for various personal reasons but later reformed in 2006 for a string of festivals and live shows. After the reunion, the band decided to reform permanently and released their eighth album, All Shall Fall, in 2009. According to a statement from the band, work has already begun on a follow-up.
2) Darkthrone
The mighty and prolific Darkthrone was formed, initial as a death metal band, in 1987. In 1991 the group, which at this time consisted of five musicians, released their first black metal album, A Blaze In The Northern Sky. With each subsequent release the band came to have fewer and fewer members until 1994’s Transilvanian Hunger which featured the duo of Nocturno Culto and Fenriz, the duo which from that point on would be the sole proprietors of Darkthrone. The title track off Transilvanian Hunger has come to be one of black metal’s most well known, covered, and generally lauded tracks.
From their formation in ‘87 to now, Darkthrone has released a total of fourteen studio albums, one of which is in the style of death metal, nine in the traditional black metal style, and four in a new style pioneered by the band that incorporated elements from speed, thrash, traditional, and black metals as well as crust and punk.
1) Mayhem
I hope nobody is surprised by Mayhem’s inclusion and position on this list. They are it. When the words Norwegian black metal or second-wave is uttered it is in almost all instances synonymous with Mayhem.
Formed in 1984 in Oslo by guitarist/vocalist Øystein Aarseth (aka Euronymous), bass guitarist Jørn Stubberud (aka Necrobutcher), and drummer Kjetil Manheim (aka Manheim), Mayhem released their first demo, Pure Fucking Armageddon, in 1986. Since that time Mayhem has gone through over a dozen members, released six full-lengths, four live albums, a handful of other demos and singles.
It was Mayhem’s Euronymous who really helped foster the Norwegian black metal scene at the time. His independent record label, Deathlike Silence Productions, and record shop Helvete, were both major focal points for the budding genre. It was Mayhem’s Per Yngve Ohlin (aka Dead) who took great care to create a certain image and atmosphere to go along with his music; wearing corpse paint, something back metal would come to be synonymous with, or burying his clothes before a show so that they would begin rot, and preparing the stage Mayhem would play with pig or sheep heads decapitated on stakes.
Unfortunately, a large part of Mayhem’s prominence was the death of the aforementioned pioneers. Per Yngve Ohlin in 1991 by self-inflicted gun shot wound and Øystein Aarseth who was murdered by fellow musician and once band-mate Varg Vikernes (see Burzum entry above). Despite this, Mayhem remains very much the godfathers of the second-wave of black metal. Their 1987 album, Deathcrush, was the first studio release by a band from the second-wave and their influence is recognized universally.
The only original member left in Mayhem is Necrobutcher (on bass), but the band continues to tour extensively and released their sixth album, Ordo Ad Chao, in 2007.
Bonus) Honorable Mentions:
Gehenna (Listen to First Spell, it's amazing)Ancient
Ulver
---------------
If anyone can argue any of these bands out of their spot, be my guest. The comments section, dear readers, is yours…
Tuesday, 20 March 2012
INDIA GOING BLACK METAL
Black Metal music from Norway is set to be performed in four cites in India.
The Indian Council for Cultural Relations (ICCR) has put together ‘Questionings’, that aims to explore the energies of the `Kali Yug`. It has been conceptualized choreographed and directed by Rukmini Chatterjee using new technology from
France along with assistance from Norway.
"The performance is a quest to invoke and explore the different energies, that surround us today, so as to try and understand the complexities and paradoxes of `Mans` existence in our times," says Suresh K Goel, Director-General, ICCR.
After showing in Delhi, Mumbai, Bangalore and Ahmedabad in the last week of March, the performance is scheduled to travel to the Opera of Oslo as well as other festivals of Europe such as the festival `Temps d`aimer la Danse`, in France and `The Theatre de la Ville` in Paris.
Rukmani Chatterjee has teams up with Norway`s touring Black Metal band Vreid to bring together certain worlds, certain artistic practices, very many different cultures, so as to create bridges between them.
"A quest to understand life and human nature is the base for these meetings," says the dancer.
The one-hour long performance comprise a Bharatanatyam dancer two Kathak dancers, two classical Indian musicians (Tabla and Mridangam) and the five Black Metal musicians.
"Questionings" is a quest to understand and survey the concept of diverse energies, that surrounds, penetrates as well as flows through us, knowing that energy is one its manifestations `Energy` in its physical, metaphysical, symbolic and spiritual manifestations, says Chatterjee.
The three arts of Black Metal music, Indian classical dance and music, will attempt to break down as many barriers as possible on stage and explore the universal energies that bind people together, says the dancer who began training with renowned dancer Mrinalini Sarabhai.
Vried, the band from Norway has done 300 shows in 20 different countries playing at major festivals like Wacken, Summer Breeze, Party San, Metal Camp, Inferno, Ragnarok, etc.
The early Norwegian black metal scene was a music scene and subculture in Norway during the early 1990s, based around black metal.
Black metal is an extreme sub genre of heavy metal music. Common traits include fast tempos, shrieked vocals, highly distorted guitars played with tremolo picking, blast beat drumming, raw recording, and unconventional song structure.
PTI
France along with assistance from Norway.
"The performance is a quest to invoke and explore the different energies, that surround us today, so as to try and understand the complexities and paradoxes of `Mans` existence in our times," says Suresh K Goel, Director-General, ICCR.
After showing in Delhi, Mumbai, Bangalore and Ahmedabad in the last week of March, the performance is scheduled to travel to the Opera of Oslo as well as other festivals of Europe such as the festival `Temps d`aimer la Danse`, in France and `The Theatre de la Ville` in Paris.
Rukmani Chatterjee has teams up with Norway`s touring Black Metal band Vreid to bring together certain worlds, certain artistic practices, very many different cultures, so as to create bridges between them.
"A quest to understand life and human nature is the base for these meetings," says the dancer.
The one-hour long performance comprise a Bharatanatyam dancer two Kathak dancers, two classical Indian musicians (Tabla and Mridangam) and the five Black Metal musicians.
"Questionings" is a quest to understand and survey the concept of diverse energies, that surrounds, penetrates as well as flows through us, knowing that energy is one its manifestations `Energy` in its physical, metaphysical, symbolic and spiritual manifestations, says Chatterjee.
The three arts of Black Metal music, Indian classical dance and music, will attempt to break down as many barriers as possible on stage and explore the universal energies that bind people together, says the dancer who began training with renowned dancer Mrinalini Sarabhai.
Vried, the band from Norway has done 300 shows in 20 different countries playing at major festivals like Wacken, Summer Breeze, Party San, Metal Camp, Inferno, Ragnarok, etc.
The early Norwegian black metal scene was a music scene and subculture in Norway during the early 1990s, based around black metal.
Black metal is an extreme sub genre of heavy metal music. Common traits include fast tempos, shrieked vocals, highly distorted guitars played with tremolo picking, blast beat drumming, raw recording, and unconventional song structure.
PTI
Subscribe to:
Posts (Atom)